St. Martin's Suspense titles

Why was an elegant lady brutally murdered the night before 9/11?

Why was a successful New York banker not surprised to receive a woman’s left ear in the morning mail?

Why did a top Manhattan lawyer work only for one client, but never charge a fee?

Why did a young woman with a bright career steal a priceless Van Gogh painting?

Why was an Olympic gymnast paid a million dollars an assignment when she didn’t have a bank account?

Why was an honors graduate working as a temporary secretary after inheriting a fortune?

Why was an English Countess ready to kill the banker, the lawyer and the gymnast even if it meant spending the rest of her life in jail?

Why was a Japanese steel magnate happy to hand over $50 million to a woman he had only met once?

Why was a senior FBI agent trying to work out the connection between these eight apparently innocent individuals?

All these questions are answered in Jeffrey Archer’s latest novel, False Impression, but not before a breathtaking journey of twists and turns that will take readers from New York to London to Bucharest and on to Tokyo, and finally a sleepy English village, where the mystery of Van Gogh’s last painting will finally be resolved.

And only then will readers discover that Van Gogh’s Self-portrait with Bandaged Ear has a secret of its own that acts as the final twist in this unforgettable yarn.

Read More About False Impression

Even though Archer (Sons of Fortune) grounds his international art-thievery thriller in the events of 9/11, this leisurely paced, tepid effort has a musty feel. It's September 10, 2001, and Lady Victoria Wentworth is sitting in spacious Wentworth Hall considering the sad state of family fortunes when a female intruder slips in, slashes her throat and cuts off her ear. The next day in New York, art expert Anna Petrescu heads to her job as art wrangler for wealthy magnate Bryce Fenston of Fenston Finance. The pair's offices are in the Twin Towers, and when disaster strikes, each sees the tragedy as an opportunity to manipulate a transaction scheduled to transfer ownership of a legendary Van Gogh painting, Self-portrait with Bandaged Ear, from the Wentworth estate to the larcenous Fenston. The initially intriguing character, hit-woman and ex-gymnast Olga Krantz, turns out to be too lightweight, both physically and fictionally, to garner strong interest in anything other than her deadly skills with a kitchen knife. Lord Archer has been busy for the past five years or so serving half of a four-year prison sentence for perjury and writing a series